There are no key texts. Your chosen topic will determine your essential reading, whether by publications or websites; you may discuss this with your module tutor. The following publications are recommended.
Arden, P. (2006) Whatever You Think, Think The Opposite: London, Penguin
Arden, P. (2006) Whatever You Think, Think The Opposite: London, Penguin
Doble, R. (2010) Experimental Digital Photography, Lark Books
Eno, B. Nyman, M. (1999) Experimental Music: Cage and Beyond (Music in the Twentieth Century), Cambridge University Press
Faber, L. and Walters, H. (2004) Animation Unlimited: Innovative Short Films Since 1940, London: Laurence King Publishing Ltd.
Hess, John and Zimmerman, Patricia (1999) 'Transnational Digital Imaginaries' by John Hess and Patricia R. Zimmermann, in WIDE ANGLE, No. 1 Vol. 21 (January 1999), pp. 149-167.
Holmes, T. (2002) Electronic and Experimental Music (Media and Popularculture), Routledge
Kaupelis, R. (1992) Experimental Drawing Techniques: Watson-Guptill Publications Inc.,U.S.; New edition
Le Grice, M. (2002) Experimental Cinema in the Digital Age (BFI Film Classics), London: BFI Publishing
Leslie, E. (2002) Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde: London: Verso
O’Pray, R.(2003) Avant-Garde Film: Forms, Themes and Passions, London: Wallflower Press
Peuvion, J.P., van Trigt, E., de Saram, R., and Pousseur, H. (2008) Electronic Experimental and Microtonal 1953-1999, Sub Rosa (CD)
Reekie, D. (2007) Subversion: The Definitive History of Underground Cinema: Wallflower Press
Shaw, J. and Weibel, P. (eds.) (2003) Future Cinema: The Cinematic Imaginary after Film. MIT Press
Tala, S. (2009) Installations and Experimental Printmaking, A & C Black Publishers Ltd